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‘Smokefall’ at Goodman: Revisiting a family frayed at seams, blessed with...

Review: Mike Nussbaum, irrepressible at age 90, is like great Bordeaux wine. Need I amplify that? Chicago’s prince of perdurable actors is the single best reason – among many good ones – to catch...

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Goodman ‘Rapture, Blister, Burn’: Two women pause at crossroads, ponder life,...

Review: ★★★ The wisdom and the charm of Gina Gionfriddo’s play “Rapture, Blister, Burn,” at the Goodman Theatre, resounds in the collision of two fortysomething women, old friends from college, one a...

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‘Two Trains Running’ at Goodman: As tumult besets their world, diner denizens...

Review: We need a new word to describe the quality that makes every August Wilson play a red-letter event of any theater season. This single new descriptor would meld the two features that Wilson...

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Role Playing: A.C. Smith is ready undertaker, lord of diner world in ‘Two...

Interview: A.C. Smith, a big-framed actor formidably attired in black as a wealthy undertaker, is ensconced Buddha-like at the corner table of a diner in the Goodman Theatre production of August...

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‘Vanya and Sonia and Masha and Spike’: Lighting up Chekhov with laughter at...

Review: I hate going here, I really do, because it’s going to sound like home cooking, but the hysterical truth is – and everything about this is hysterical – that the Goodman Theatre romp through...

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Theater 2015-16: ‘Disgraced,’ 4 world premieres accent a many-splendored...

11th in a series of season previews

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At Goodman’s New Stages Festival, playwrights count on sharpening assist from...

Feature: Three formative plays on the boards in Goodman Theatre’s New Stages Festival offer an intriguing glimpse into the process of turning a work of promise into a well-honed piece of stagecraft...

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Theaters serve up holiday stew of 3 Scrooges filled with laughs, lessons,...

Review: Chicago’s holiday offerings include Three Scrooges — not a show, but a trio of shows all based on “A Christmas Carol.” And yes, there’s some slapstick in it, even ribaldry, depending on which...

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‘2666’ at Goodman: Epic saga of lust, murder and other scholarly pursuits in...

Review: After five and a half hours spent watching the dramatic evolution of “2666,” the adaptation by Robert Falls and Seth Bockley of Roberto Bolaño’s sprawling novel at the Goodman Theatre, I could...

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‘The Matchmaker’ at Goodman: A (very) funny thing happens when sly widow...

Review: It’s Dolly’s world, the charming milieu and crazy circumstances of Thornton Wilder’s perdurable farce “The Matchmaker.” All the other characters on stage just live in it. So say hello to a...

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At the Goodman Theatre, Leonard Bernstein’s musical ‘Wonderful Town’ starts...

2016-17 SEASON PREVIEW: The following is adapted from a news release submitted by an arts organization to Chicago On the Aisle. —— Lauren Molina and Bri Sudia star as two sisters leaving Ohio in 1935...

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‘Christmas Carol’ rings out again at Goodman: Scrooge & Co. affirm spirit at...

Review: For his ninth season, Larry Yando plays the gnarled old man whose very name is now a synonym for miser, his "Bah! Humbug!" an all-purpose slapdown that distills the essence of a curmudgeonly...

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‘Uncle Vanya’ at Goodman: Seeking purpose, or a numbing refill when the glass...

Review: Chekhov’s “Uncle Vanya,” an existential snapshot of lost souls at a signless crossroads, exemplifies theater as an ensemble endeavor. In Annie Baker’s modernized, razor-sharp adaptation of the...

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‘Objects in the Mirror’ at Goodman: Escaping calamity in Africa, surviving...

Review: Playwright Charles Smith’s “Objects in the Mirror” is a gritty, honest and provocatively open-ended story about coming of age. Mesmerizing, if no less exasperating, it is served with resonant...

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‘Ah, Wilderness!’ at Goodman: Young lovers, plotting a path through life’s...

Review: Fairly late in his career, Eugene O’Neill, that great purveyor of tragedy, penned a romantic comedy worthy of his darker plays. “Ah, Wilderness!” is that now-classic lark, and it once again...

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Theater as crucible: Two Arthur Miller classics bridge high peaks of Goodman,...

Review: If you have not yet seen both “A View from the Bridge” at Goodman Theatre and “The Crucible” at Steppenwolf Theatre – well, it’s Miller time. These are mesmerizing productions of two of Arthur...

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At Goodman’s New Stages Festival, playwrights count on sharpening assist from...

Feature: Three formative plays on the boards in Goodman Theatre’s New Stages Festival offer an intriguing glimpse into the process of turning a work of promise into a well-honed piece of stagecraft...

View Article


Theaters serve up holiday stew of 3 Scrooges filled with laughs, lessons,...

Review: Chicago’s holiday offerings include Three Scrooges — not a show, but a trio of shows all based on “A Christmas Carol.” And yes, there’s some slapstick in it, even ribaldry, depending on which...

View Article

‘2666’ at Goodman: Epic saga of lust, murder and other scholarly pursuits in...

Review: After five and a half hours spent watching the dramatic evolution of “2666,” the adaptation by Robert Falls and Seth Bockley of Roberto Bolaño’s sprawling novel at the Goodman Theatre, I could...

View Article

‘The Matchmaker’ at Goodman: A (very) funny thing happens when sly widow...

Review: It’s Dolly’s world, the charming milieu and crazy circumstances of Thornton Wilder’s perdurable farce “The Matchmaker.” All the other characters on stage just live in it. So say hello to a...

View Article
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